This Upper Division, seminar-style class introduces students to the modern history and politics of Southeast Asia, from the 1940s to the 2010s, through the lens of cinema and the frame of memory. From American B-Movies to Japanese anti-war features, media monarchs to Indie film-makers, spectral spouses to exorcist monks, Cambodian Claymation to Indonesia film noir, we explore cinema as a vehicle of propaganda, remembrance, experimentation, repression, expression and resistance – but most of all, as a theater of memory.